©
Barbara Haggh,
October 6, 2004
FOUNDATIONS
AT CAMBRAI CATHEDRAL
Barbara
Haggh
TABLE: MAIN CHOIR
1251
Choir founded. Easter is the first office celebrated. Several services introduced to be held at
the small altar dedicated to St John the Baptist behind the main altar. Marian Hours instituted on June 23,
1251. Also introduced are a mass for
the dead and two masses on the feasts of the Nativity and Beheading of
John the
Baptist. These include a procession
with an antiphon and collect in honor of St John the Baptist. Foundations introduce two daily masses for
St John the Baptist with suffrages honoring him.
1308
A synod at Cambrai
Cathedral
makes the feast of the Conception of the Virgin (Dec. 8) obligatory. This feast was greater duplex by the 15th
century.
1347
Foundation of the
Golden Mass or Missus
on feria IV of Ember Week in Advent.
In place of the Benedictus,
the Salve Regina is sung with bell ringing.
Two petits vicaires sing the first responsory as at
semiduplex feasts, two chaplains sing the second, and three canons or grandes
vicaires sing the third, then five altarboys and their master sing
a motet
or at least a Benedicamus, cum discantu.
by 1368, first in
accounts of
1412/13
St Martial, apostle
(July 8),
duplex, founded by Petrus Andree, bishop of Cambrai (d. Sept. 13, 1368).
by 1388, first in
accounts of
1391/2
St Michael, archangel
(Sept. 29),
duplex, endowed by Jean IV t'Serclaes, bishop of Cambrai and founder of
the
chapel of St Michael where he was buried (d. Jan. 12, 1388).
St Michael,
archangel, Apparition
(May 8), duplex, endowed by Jean IV t'Serclaes.
November 9, 1389
St Boniface, bishop
and martyr
(June 5), duplex, "solemniter" with octave and vigil.
This foundation is not mentioned in later
documents or liturgical books.
first in accounts of
1391/2
St Donatian,
archbishop (Oct.
13), duplex, founded by Jean Dosterzelle of Ghent, canon.
first in accounts of
1392/3
St Andrew, apostle
(Nov. 30),
duplex, founded by Simone Pierekin, according to accounts of 1392/3. Petrus Rosel augmented the foundation
according to accounts of 1435/6.
first in accounts of
1395/6
Sts Peter and Paul,
apostles
(June 29), duplex, endowed by Loghenaer according to accounts of
1395/6, but
beginning in 1409/10 the foundation is attributed to Ponce Boerij,
canon,
doctor of medicine, from a noble family of Touraine (d. Aug. 9, 1409).
by 1397, first in
accounts of
1439/40
St John Chrysostom,
bishop and
confessor (Jan. 27), duplex, founded by Jean Martini from Tournai,
canon (d. 1397).
by 1401, first in
accounts of
1402/3
St Catherine, virgin
and martyr
(Nov. 25), duplex, endowed by Galterus de Risson, provost (d. 1401),
buried in
the chapel of St Catherine.
St Nicholas, greater
duplex,
endowed by Galterus de Risson.
by 1404, first in
accounts of
1404/5
St Anthony Abbot,
confessor (Jan.
17), duplex, by Guillaume de Loggenaer, canon (d. 1404).
St John before the
Latin Gate
(May 6), raised from semiduplex to duplex by Ponce Boerij.
first in accounts of
1405/6
Transfiguration (July
27), raised
from semiduplex to duplex by Ponce Boerij, who also donated a lamp
hanging near
the painting of the Transfiguration.
St James, apostle
(July 25),
raised from semiduplex to duplex, by Ponce Boerij.
On the vigil of St James day, it was customary to bless and
distribute fruit (poma) during the mass.
St Peter's Chains
(Aug. 1),
raised from semiduplex to duplex by Ponce Boerij.
1407
All Souls' (Nov. 2),
greater
duplex, introduced by the Cathedral chapter.
The Dies irae was endowed by Fursy de Bruille, archdean
and canon
(d. 1450).
by 1407, first in
accounts of
1408/9
St Anne (July 19),
duplex,
founded by Nicolas III Falorderius, canon, writer, provost (d. 1407).
1417, first in
accounts of
1417/18
First Sunday in
Advent, duplex,
later greater duplex, endowed by Egidius de Bosco, Sr, canon, with
singing of
the Salve Regina, Alma, responsory Aspiciens by
the grandes
and petits vicaires in the right half of the choir, a motet and
a
memorial for de Bosco including a mass at the Holy Cross altar, the Salve
and the De profundis, with the ringing of the bell Gloriosa.
Beginning
in the accounts of 1485/6, this foundation is marked in sicca
in the
margin.
by 1419, first in
accounts of
1430/1
St Firmin, bishop and
martyr,
Invention (Jan. 15), duplex, founded by Petrus Maioris, canon,
subdeacon (d.
1419).
St Firmin, bishop and
martyr
(Sept. 25), duplex, founded by Petrus Maioris.
1426, first in
accounts of 1426/7
Ascension and Octave,
duplex and
semiduplex, endowed by Master Petrus de Hailles, canon.
1427, first in
accounts of 1427/8
St Martin of Tours,
bishop and
confessor (Nov. 11), duplex, by Jean Martini, canon (d. 1446).
1438, first in
accounts of 1444/5
Easter and six
following Sundays:
singing of the antiphon Regina caeli, verse and collect Interveniat
in the nave in front of the crucifix after Compline, founded by Egidius
de
Bosco, Sr.
Vigil of Easter and
Pentecost,
low mass of the Holy Cross endowed at the main altar.
1444
Weekly Saturday
Marian office
raised by the chapter from a celebration with nine psalms and three
lessons to
a celebration with nine lessons.
1445, first in
accounts of 1454/5
Sts Sebastian and
Fabian, martyrs
(Jan. 20), augmented to duplex with hymn and motet sung by the master
and boys
by Gilles Flannel dit l'Enfant, canon.
Flannel was buried in front of a painting of St Sebastian which
he
donated to the church at his death (d. June 7, 1466).
1446
Christmas Day,
Singing of Inviolata
at processional station, endowed by Jean Martini.
Sept. 26, 1446, first
in accounts
of 1447/8
Corpus Christi
(Thursday after
Trinity Sunday), greater duplex, endowed by Gilles Carlier, dean,
canon, doctor
and professor of theology at the University of Paris (d. 1472). On each of the eight days of the octave, a
polyphonic mass for the Holy Sacrament was followed by a procession in
the nave
after Compline including the responsory Homo quidam, commenced
by by
three choirboys in contrapuncto before the altar (Wright: CBM
1019, pp.
72, 97; CBM 1260, p. 318).
1449, first in
accounts of 1450/1
St Fursy, bishop and
confessor
(Jan. 16), greater duplex, founded by Fursy de Bruille (d. 1450), who
also gave
a bell called Fursy to the church.
first in accounts of
1449/50
St Gregory, pope and
confessor
(March 12), duplex, founded by Master Gregory Nicolay, canon (d. 1469). Nicolay's obit was held the day before this
feast at his tomb in front of the painting of St Gregory in the chapel
of St
Stephen.
first in accounts of
1449/50
St Anne, octave,
semiduplex,
founded by Petrus de Hailles.
before 1450
Mary Magdalene (July
22), duplex,
from 1435 on the petits vicaires are paid for a polyphonic Mary
Magdalene mass. The copying of a
sequence for this feast by Du Fay is registered in accounts of 1464/5. The chant for the office in CBM 38, 289v ff.
and in XVI C 4, 150r is completely different, even though the texts
remain the
same.
1450, first in
accounts of 1450/1
St Egidius, abbot
(Sept.1),
augmented from semiduplex to duplex by Gilles Carlier.
Choirboys sing motets at both vespers. The
hymn Iste confessor is sung cum
iubilo by four petits vicaires alternating with both halves
of the
choir.
1454, first in
accounts of 1455/6
St Jerome, priest and
confessor
(Sept. 30), duplex, founded by Gregory Nicolay. At
the procession before first Vespers, the responsory Te
sanctam is sung with verse and collect.
Benedictio fontium endowed.
1454, first in
accounts of 1454/5
Visitation (July 2),
greater
duplex, founded cum aliquibus cerimoniis et processionis by
Michael de
Beringhen, canon (d.1457).
April 4, 1456
Feria V before Palm
Sunday,
foundation of Holy Sacrament mass by Michael de Beringhen.
1456, first in
accounts of
1499/1500
St Christopher,
martyr (July 25),
raised from semiduplex to duplex and later greater duplex, by Master
Joannis
Hamier, canon (d. 1456) or by Egidius de Bosco, Jr.
In the accounts of 1499/1500, the founder's name is Robert of
Cambray (perhaps Robert of Croy, later bishop of Cambrai).
1457
St Michael,
archangel, foundation
by Michael de Beringhen of a procession to the nave of the church, with
a
station in front of the painting of St Michael. There
the responsory Te sanctam is sung with the verse Stetit
angelus and the collect. When the
procession returns to the choir the antiphons Angeli et archangeli
and Archangele
Christi are sung and followed by second vespers.
Factum est, Gospel for
Epiphany? (paper
pasted over part of entry, CBM 200, 65v), endowed by Michael de
Beringhen.
1457, first in
accounts of 1458/9
Recollectio Festorum
Beatae
Mariae Virginis (fourth Sunday in August), greater duplex, plainchant
by
Guillaume Du Fay and texts by Gilles Carlier, founded by Michael de
Beringhen.
October 12, 1457,
first in
accounts of 1470/1
Golden Mass: Missus
est is
read, and the petits vicaires sing the Salve Regina and
sequence Mittit
ad virginem, endowed by Johannes Lamberti, canon (d. 1465).
1459
St Anne, raised to
greater duplex
by Raoul Mortier, canon (d. 1480).
October 26, 1459,
first in
accounts of 1459/60
St Barbara, virgin
and martyr
(Dec. 4), duplex feast, founded by Master Henricus de Calstris, canon,
who had
a painting of Barbara made and hung in the nave in 1445 (d. Aug. 26,
1463).
St Barbara,
Translation (Feb.
12), three lessons, founded by Henricus de Calstris.
October 26, 1459,
first in
accounts of 1473/4
Sts Simon and Jude,
apostles
(Oct. 28), duplex, founded by Reginald de Leonibus, canon (d. 1475).
1460
Foundation of a
Marian mass to be
held along with the procession on Trinity Sunday by Reginald de
Leonibus.
August 18, 1460
During the weeks of
Advent and
Quadragesima, an office for St John the Baptist, patron, is held in the
church,
introduced by the chapter.
October 18, 1460
Benedictio fontium, mass and procession
endowed by
Johannes Lamberti, approved by the chapter.
1461
Vigil of Christmas,
after
Compline, Salve Regina and Ave Maria, the latter sung
by three
choirboys in contrapuncto, founded by Jacobus Carite, canon (d.
28 July
1461). Another document states that the
Regina Caeli and Ave Maria were sung after Compline
according to
this foundation (Wright: CBM 1260, p. 318).
1462, first in
accounts of 1462/3
St Gregory, pope and
confessor
(March 12), raised to greater duplex by Gregory Nicolay.
A hymn and motet are sung by the master and
choirboys at vespers.
1464
St Michael,
archangel, two
responsories are endowed by Gilles d'Inchy, canon (d. 1464).
St Egidius, abbot
(Sept. 1),
raised to greater duplex, with the hymn Iste confessor in
alternatim
polyphony sung cum iubilo by four petits vicaires;
motet at both
vespers, endowed by Gilles Carlier.
1465, first in
accounts of 1465/6
St Eligius, bishop
and confessor
(Dec. 1), duplex, founded by Johannes Rodolphi alias Flammenghe,
cantor, canon,
native of Florence (d. Feb. 17, 1468).
May 8, 1467, but
already in
accounts of 1465/6
St Adrian, martyr
(Sept. 10),
duplex, with hymn and motet at Vespers, founded by Buissardi Balduini,
canon,
provost of Rouen, archdean of Hainaut, buried in the nave in front of
the
painting of St Adrian (d.1472).
1466, first in
accounts of 1472/3
St Quintin, martyr
(Oct. 31),
solemn duplex, founded by Nicholas Plouchet, scholaster, canon, buried
in the
nave before the painting of St Quintin (d. 1466).
Easter, Ferias of the
Octave, the
responsory Christus resurgens in the third mode is sung morose
by
six altar boys after matins at a station in front of the crucifix in
the
nave. The verse Dicant nunc iudei
is sung jubilando and a collect follows. This
is endowed by Petrus de Hanelle, canon, archdean (d. 25 May,
1469). A Missa Christus Resurgens
was composed later by Louis van Pullaer, maitre de chant in
1503, and is
copied in CBM 3.
by 1469, first in
accounts of
1470/1
St Vedast, bishop and
confessor
(Feb. 6), duplex, founded by Petrus de Hanelle.
1470, first in
accounts of 1470/1
St Augustine, bishop
and
confessor (Aug. 28), raised to duplex by Gregory Nicolay.
St Ambrose, duplex,
founded by
Gregory Nicolay.
1472, first in
accounts of 1471/2
Dedication and octave
(first
Sunday after the Translation of St Thomas = July 3), greater duplex and
duplex,
with hymn, motet, and procession, endowed by Jean de Rosut, priest,
doctor of
medicine, canon (d. March 16, 1484.
1473, first in
accounts of 1473/4
St Nicholas,
Translation (May 9),
duplex, endowed by Nicolai Waspail alias de Duaco, grande vicaire. Later augmented by Nicolas de Hordaing,
canon.
Processional
responsories for the
first and five following Saturdays in Quadragesima, endowed by
Barthelemy
Malaquin, canon (fl. until 1488).
1475
Nativity of the
Virgin (Sept. 8),
raised to greater duplex, by Reginald de Leonibus, canon (d. 1475).
A mass to be held on
the day of
the civic procession was founded by Reginald de Leonibus.
first in accounts of
1475/6
St Amato, bishop and
confessor
(Oct. 19), augmented to duplex with hymn and motet at both vespers by
Raoul
Mortier, canon.
1476, first in
accounts of 1476/7
St Laurent (Aug. 10),
duplex,
endowed by Nicolai Waspail alias de Duaco.
1484
St Henrici, confessor
(July 13),
solemn duplex with motet, founded by Jean de Rosut.
1486
Annunciation
(March 25), polyphonic mass endowed by Walter Henrici, former choirboy,
later
Burgundian chaplain (M. Soenen, "Un amateur de musique a Bruxelles a la
fin du XVe siecle: Gautier Henri, chanoine et ecolatre de
Sainte-Gudule," Album
Carlos Wyffels, Brussels, 1987, p. 436).
February 4, 1492
Decision by the
chapter to omit
the dialogue of the Three Mary's at Easter that was held formerly, the
feast of
the deacons on St Stephen's day, and the feast of the choirboys on
Innocents'
day.
before 1500
Translation of St
Gery,
semiduplex. All clerics of the
Cathedral had to be present for first vespers and the mass.
1518
Presentation, greater
duplex,
endowed by Arnoldus Criel, canon and cantor (d. 1518), who also founded
the
altar of the Presentation.
1525
St Joseph (March 19),
greater
duplex, endowed by Peter Baicquet, canon, archdean (d. 1525).
December 27, 1527
The boy bishop holds
his office
on Innocents' day, but no minstrels will be admitted to the church,
chapter
decision (Wright: CBM 1069, 89v).
by 1528
Annunciation (March
25), After
compline on the vigil, the responsory Gaude Maria and verse to
be sung
by three boys, then the Inviolata "musice", then a motet, and
then the Salve Regina as is customary on Saturdays, endowed by
Louis van
Pullaer, canon, composer (Wright: CBM 1069, fol.202).
St Clement, pope and
martyr (Nov.
23), raised from semiduplex to duplex, by Nicolas Clement, canon (d.
Aug. 4,
1528).
1554
Seven Sorrows (Friday
before Palm
Sunday), duplex with mass sub discantu, founded by Jean
Malouet, canon
(d. 30 May, 1554), who also donated a painting of the Seven Sorrows. The foundation was augmented by Jean le Duc,
canon and scholaster.
1557
Daily vespers,
formerly held only
on Saturdays, were endowed by Adrian Quarre, archdean and canon (d.
1557).
1558
St Agnes, virgin and
martyr (Jan.
21), duplex, endowed by Jean Druart, canon (d. Dec. 1, 1558).
1559
St Mary of Snows
(Aug. 5),
greater duplex, founded by Jean Happe, archdean, canon (d. June 19,
1566). But on Aug. 5, 1529 "Pax facta
Cameraci
Robertus de Croy episcopus 70 suas primitias celebravit in choro et
predictum
magnum S. Maria ad nives fecit celebrari. Sed fundatum non fuit (CBM
200,
29v)."
1563
Holy Name of Jesus
(January 8),
greater duplex, founded by Jean Delbaye, canon (d. 1563).
1566
St Servatius (May
13), duplex,
founded by Servatius Carlier, canon (d. Jan. 3, 1566).
St Anthony, abbot
(January 17),
raised to greater duplex with the singing of the hymn Urbs beata
Viennensis
by Antonius de Nobescourt, dean (d. October 18, 1566).
St Genevieve, virgin
(January 3),
duplex, founded by Antonius de Nobescourt.
St Claudius, bishop
and confessor
(June 6), duplex, endowed by Antonius de Nobescourt.
St Louis, King of
France (Aug.
25), duplex, founded by Antonius de Nobescourt.
Trinity, raised to
greater duplex
by Antonius de Nobescourt.
1569
Nativity of St John
the Baptist
(June 24), raised to greater duplex by Jean le Duc, scholaster, canon
(d. Oct.
11, 1589).
1570
Sts Peter and Paul,
augmented,
still duplex, by Jean le Duc.
by 1589
St Gregory, augmented
to triplex
by Jean le Duc.
1572, first
celebrated in 1579
St Ursmar, bishop
(April 19),
duplex, founded by Jean de Quercu, canon (d. Oct. 1, 1572).
St Augustine, after
compline,
procession in the nave with the responsory Sint lumbi, endowed
by
Augustini Convers, canon (d. 1579).
before 1589
St Martha, virgin
(July 29),
raised to greater duplex by Jean le Duc.
St Mary Magdalene
(main feast
July 22), Octave, raised from three lessons to greater duplex by Jean
le Duc.
1598
St Agatha, virgin,
martyr (Feb.
5), raised from semiduplex to greater duplex by Jean Tacquet, canon (d.
14 May,
1598).
before 1600
On the day before
Epiphany an
antique custom was for men to bring their wives and daughters to the
church to
hold vigil through the night with candles.
But many virgins were corrupted, and many bad deeds were
accomplished,
so that the vigil was translated to the day of Epiphany itself. Thus
the old
custom was discontinued, but the name was not changed (Title 22 of a
Cambrai
Synod).
St Luke, evangelist
(October 18),
endowed as duplex by Johannes Luce, canon, doctor of medicine.
Guillaume Claix
founded a daily
mass to be done at the main altar by two petits vicaires and
one concubinariis
ad selected by the dean and a senior canon.
The masses to be done every week included a mass of the Passion,
of the
Holy Name of Jesus, of the Virgin, a Requiem, and others of choice
(n.d.).
1600
St Thomas of
Canterbury (Dec.
29), bishop, martyr, duplex, endowed by Grisonius Prepositus, provost,
canon
(d. March 1600).
before 1610
St Francis,
Translation (main
feast Oct. 4), greater duplex, endowed by Francis de Sales, canon (d.
1622).
1618
St Maxellendis (Nov.
13), virgin
and martyr, raised from semiduplex to duplex by Petrus Anthony, canon.
1639
St Roch, confessor
(Aug. 16),
triplex, founded by Robert Wiart, doctor of medicine.
TABLE: THE CHAPELS OF CAMBRAI
CATHEDRAL AND
CELEBRATIONS FOUNDED THEREIN
(Right
and Left as Viewed from the Choir)
MAIN ALTAR
Small altar dedicated
to St John
the Baptist in 1402.
Virgin of silver
donated by
Egidius de Bosco, canon, in 1424.
Painting of Philip,
King of
France, donated in 1382.
Painting of St Henry
donated by
Henri de Berghes, bishop, in 1507.
A Virgin in alabaster
donated by
Jan de Gall, bishop, in 1441.
Episcopal seat of
white stone
donated by bishop John of Burgundy (d. 1480).
Episcopal chair of
wood donated
by Robert of Croy (titular bishop in 1519, first mass in 1529, d. 1550).
Painting of the
twelve apostles
donated by Pierre d'Ailly in 1411.
CHAPELS IN THE APSE
TRINITY, founded with
two
chaplaincies in 1240 by Michel, canon and archdean of Hainaut, who was
buried
in the chapel. In 1328 the foundation
was augmented by Joannes de Clarii in return for a weekly Requiem mass. Gerardo de Pes, archdean of Brabant c. 1280
established a third chaplaincy with a weekly mass.
The fourth chaplaincy was founded before 1368.
The fifth chaplaincy was founded by Guidone,
bishop of Cambrai, in 1240. The
foundation for the chapel was augmented in 1405 by Pierre D'Ailly, who
endowed
a mass for the Trinity.
On August 14, 1452,
the painting
of Notre Dame de Grace, donated to the Cathedral by canon Fursy de
Bruille, was
installed in the chapel. In 1478 King
Louis XI donated money to pay for a silver crown with candles for this
Virgin. A tabernacle was made for the
chapel in
1518.
Foundations:
1.1347: Mass
for Trinity
Sunday, founded by Robert II of Coucy, provost, cantor, buried in the
Trinity
chapel (d. 1352).
2.15th century: A daily mass in plainchant after matins with
all petits vicaires and choirboys (Wright: ADN 6791, 4v; CBM
1072, 36v).
3.by 1457 On
Saturdays and
vigils of Marian feasts the Salve Regina was sung after first
Compline
before Notre Dame de Grace. This was
done on June 22, 1504 (Wright: CBM 739, 35v, 118).
4.after 1452 A
mass
including the singing of the sequence Ave sponsa was part of
devotions
known as commemorations of the Virgin.
These devotions that were celebrated in front of Notre Dame de
Grace
also included the antiphon Sub tuum presidium, which is found
at the end
of the printed antiphoner of Cambrai, CBM XVI C 4 (c.1510), with the
rubric
"ad divam virginem commendatio."
STS ELIZABETH AND
ELIGIUS, to the
left of the Trinity chapel, founded in 1239 in recognition of gifts
made to the
cathedral by Elizabeth of Hungary (d. 1231).
A chronicle relates that bishop Godefroid gave the heart of
Elizabeth to
the cathedral in 1239. The chapel had
five chaplains by 1600.
STS GERY AND LAURENT,
left of the
Trinity chapel, founded in 1329. A Holy
Sacrament mass every Thursday after matins with motet sung by the
choirboys,
vicars and their master, was founded by Joannes Leporis, canon (d. Jan.
30,
1516) (Wright: CBM 1260, p. 319).
ST BLAISE, on right,
founded in
1243 by Foulques, chaplain. It was called the bishops' chapel, because
it was
used by them especially.
STS NICHOLAS AND
CATHERINE, on
right, founded 1230-32; dedicated to St Catherine by Jean de Roye in
1246.
STS MARTIAL, COSIME
AND DAMIAN,
CHRISTOPHER, founded in 1360 by Petrus Andree, 61st bishop of Cambrai
(d. 13
Sept. 1368).
ST NICASIUS, on the
right,
founded in 1476 by Johannes de Busco (d. 1476).
ST ANNE, on the
right, founded by
Matheus le Bochu (n.d.) and augmented by Jode Guise and wife Maria in
1319. The altar and a weekly mass were
paid for by Nicolas III Falorderius (d. 1407), canon and provost of
Cambrai,
and buried in the chapel. In 1533 the altar was repaired by the
composer,
Crispin vander Stappen.
NAVE--RIGHT SIDE
Painting of St
Anthony, donated
by Guillaume de Loghenaar in 1404.
Painting of St
Adrian, donated by
Buissardi Balduini, canon, in 1460.
Painting of St
Quentin, donated
by Nicolas Plouchet, scholaster, in 1466.
Painting of St John
Evangelist,
donated by Ponce Boerij, founded double (did he?).
Painting of St John
the Baptist,
donated by Greboval in 1473.
Painting of of St
Francis,
donated in 1560.
Painting of St
Bernard, donated
in 1562.
Painting of St
Geronimus, donated
in 1563.
Painting of St
Nicholas, donated
by Nicolas Pichet in 1494.
ST JAMES, chapel
founded in 1363
by Johannes Marchant.
ALL SAINTS/ HOLY NAME
OF JESUS,
founded by Stephen de Maulion, canon and dean, in 1375.
The chaplains of the "petit
communaute" held their offices here.
The altar had been built in 1365.
In 1550 the name of the altar was changed to the Holy Name of
Jesus, by
the foundation of Guillaume Claix, canon.
ASCENSION, altar
built and three
weekly masses founded by Jean Gonet, canon (d. 1527), in 1527.
STS VINCENT AND
EUSTACE, founded
by Guillelmus, count of Hainaut, in 1304, 1342, or 1344.
The chapel was renamed for St Eustache in
1353.
ST GERONIMUS, founded
in 1542.
LIBRARY, built in the
early 15th
century.
CHAPTER ROOM OF THE
CANONS, built
in 1466.
ST THOMAS OF
CANTERBURY.
CHAPEL OF ST JOHN THE
BAPTIST
with his painting, and with the Inviolata, under the bell
tower, founded
in 1220, where the chaplains celebrated obits.
On Sundays and Marian feasts, there was a procession to a
station
consecrated to the Virgin here, where the vicars sang the sequence Inviolata
in plainchant, if it was Sunday, and in polyphony, if it was a Marian
feast day
(Wright: CBM 1019, p. 65), endowed by Johannes de Greboval, archdean of
Hainaut
(d. c.1470). This foundation is
described in CBM 41, 120r.
NAVE--LEFT SIDE
Painting of St
Barbara, donated
by Henricus de Calstris in 1445.
Painting of St
Sebastian, donated
by Gilles Flannel in 1466.
Painting of St
Hermes, donated by
Daniel de Capella in 1538.
Painting of St
Jerome, donated in
1547.
Painting of St
Joseph, donated in
1526.
Painting of the Seven
Sorrows of
Virgin, donated by M. Maloue in 1554.
Painting of the
Decollation of St
John the Baptist, donated by Johannes Balini in 1561.
Painting of the
Baptism of
Christ, donated by Jo Baye in 1563
Painting of
Michelangelo, donated
in 1559.
Painting of St
Michael, donated
in 1170.
Painting of St
Elizabeth, donated
in 1557.
NOTRE DAME DE LA
BELLE/ NOTRE
DAME D'ALBASTRE, under the pulpit, founded by Hugo Fabri, cantor, in
1350 or
1370.
ST JOHN, EVANGELIST,
built in
1312 by Etienne de Suisy, cardinal.
HOLY CROSS, built in
1520 by
Nicholas Domont, canon. Used by the
chaplains of the "grande communaute". Indulgences
were granted by Pope John XII, and the hymn that was
recited for the indulgences was painted next to the entry to the chapel.
ST FIACRE, known as
the Lignea
chapel, then named for Fiacre in 1463.
ST PHILIP/ CHAPELLE
DES MORTS,
founded with a daily mass by Philippe Majoris, canon and dean, in 1552.
Majoris
was buried in the chapel.
CLOISTER WITH
PAINTING OF ST
CHRISTOPHER, added in 1456.
ST AUDOMAR (OMER),
built in 1246.
TRANSEPT--RIGHT SIDE
Painting with the
History of the
Transfiguration, donated by Ponce Boerij in 1409.
Painting of the Virgin
Painting of the
"flamenghe" Virgin
Painting
of Notre Dame de Piete
Painting
of Notre Dame de Bonnes Nouvelles
Painting of St Agnes,
donated in
1558
Painting or epitaph
of Jean
Charite, canon, donated in 1525.
ST URSULA/ 11,000
VIRGINS,
founded in 1375 by Jacobus de Puteo, chaplain.
STS PETER AND PAUL,
founded in
1331; Johannes Remigii alias Descaudain founded a monthly solemn
Requiem mass
to be sung by the choirboys in cantu gregoriano.
HOLY SEPULCHER A
weekly mass by
the petits vicaires was endowed in 1468 by Johannes Lamberti.
NOTRE
DAME DE LA GRANDE, founded c. 1232. Jacobus de Croy,
bishop from 1504-1516, whose tomb was
next to the chapel, founded two masses for the Assumption of Mary: one
after
the bellringing at prime, and the other at the first Gloria Patri of
matins at
the Trinity altar (Sept. 29, 1516 to Sept. 28, 1517).
ST GENGULPHE, under
the door
leading to the bishop's palace.
ST CHRISTOPHER, built
in
1456. A statue of this saint was
donated to the Cathedral by Gilles Carlier.
NOTRE
DAME DE LA FLAMENGHE, founded in 1369 by Jean de Tournai, perhaps Jean
Martini
de Tournai.
Foundations:
1.1359: Alma
redemptoris mater with a verse and collect for the Virgin, sung
after
compline on Marian feast days and when the Salve was done,
founded by
Jean de Tournai. The Alma
foundation was augmented by Ponce Boerij.
The Alma was notated on the wall of this chapel (Wright:
CBM
1019, p. 275).
2.Aug. 19, 1409:
Master
Ponce Boerij, doctor of laws, founds six weekly masses to be performed
by the petits
vicaires after matins: Sunday-de tempore, Tuesday-Requiem,
Wednesday
and Friday-Holy Cross, Thursday-Transfiguration, Saturday-Virgin.
3.Aug. 25, 1445:
Jean Martini
founds parvas vesperas of the Virgin to be celebrated every
Saturday
after the Salve. The service was held by six choirboys, their
master,
and one contratenente. It
consisted of a Marian antiphon intoned by one of the boys, a psalm, the
Magnificat, an antiphon, a verse and collect read by one of the boys,
and a
motet in the place of the Benedicamus.
The bells Gloriosa and Aldegundis were rung.
This foundation was enlarged by archdean Adrian Quarre (d. 1557)
to include daily vespers and became known as the Adrian foundation.
4.An foundation by
Martini for a
procession at this altar was enlarged in 1548.
TRANSEPT--LEFT SIDE
(begun in
974, finished in 988).
ST STEPHEN.
Halitgaire, bishop of
Cambrai, having been sent as ambassador to Constantinople by Louis the
Pious,
brought back the relics of Stephen, Cosime, and Theodore in 830. In
1268 or
1269, the community of grandes vicaires was instituted in the
Cathedral
with the approval of pope Clement IV.
Both the grandes and petits vicaires celebrated
their
offices in this chapel. The tomb of
Guillaume Du Fay was in this chapel.
ST MICHAEL, chapel
founded by
bishop Jean IV t'Serclaes (d. Jan. 12, 1388).
NOTRE DAME DES
FIERTES/
PRESENTATION/ ST MAXELLENDE, altar built by the executors of Jehan
d'Antoing, archdean,
in 1301. Later a chalice with the
relics of St Maxellende was acquired.
Foundations:
1.May 14, 1457:
A Marian
mass, founded by the abbot of Anchin, was held every Saturday and on
all Marian
feast days after matins, sung in discant by the master, choirboys and
two
contratenors (Wright: CBM 1260, p. 319).
2.Every Monday, the petits
vicaires sang a solemn mass when Marian matins were finished. One
of the
twelve petit vicaires present had to be a priest.
The distributions for the celebrant were
augmented by Pierre Godemare, canon on October 23, 1499 (Wright: CBM
1019, p.
561).
CHAPELS: PLACEMENT
NOT KNOWN
ST MARY MAGDALENE. Radulphus Buissert endowed a mass at this
altar in 1516.
ST ANDREW. An undated
foundation
of Michael Bruneau established a daily mass at this altar under the
bell to be
done by one canon after matins.
Sources
for Tables: (CBM=Cambrai, Bibliotheque Municipale; ADN=Lille, Archives
Departementales du Nord, Series 4 G):
CBM 39, Obituary kept
in the
choir (c. 1473).
CBM 170, Obituary for
the canons
(c. 1409).
CBM 198, Annotated
calendar (18th
C.).
CBM
200, Annotated calendar (1605-1610).
CBM
699, no. 2, Sommaire des antiquites de l'eglise Archiepiscopale de
Cambrai,
par J. de Lingne.
CBM 1052-1099,
especially
1055-1062 (1395-1494), acta capitularia.
ADN 2009, Obituary
fragments (c.
1460, with later additions).
ADN 4596-4700,
Accounts of the
Fabric of Cambrai Cathedral, 1391-1506.
Berteaux,
Abbe. Etude Historique en deux
Volumes sur l'ancienne Cathedrale...de la Ville de Cambrai de l'An 500
a l'An
1798, vol. 2. Cambrai, 1908.
Houdoy,
Jules. Histoire Artistique de la
Cathedrale de Cambrai. Lille,
1880. Geneva: Minkoff Reprints, n.d.
Le
Carpentier, Jean. Histoire de
Cambray et du Cambresis, vol. 1, pp. 452-79. Leiden,
1664.
Wright, Craig.
"Performance
practices at the Cathedral of Cambrai: 1475-1550." Musical Quarterly
64:3 (1978), pp. 295-328.
© Barbara Haggh,
October 6, 2004